Tag Archives: Alexander McQueen

We Miss You, Alexander McQueen

mcqueen4It was five years ago, this fashion week eve, that the fashion universe stopped mid tilt on its axis and ceased from spinning for a few minutes. Lee Alexander McQueen, mister boy wonder turned creative genius, died by way of suicide and the world of fashion grew a little more darker. We miss him, the fashion industry misses him deeply and there has yet to be one proven to fill the void of McQueen’s out-of-this-world creations. Certainly any artist can attest to the dark side of creating…the unstable moments, the isolation phases, and the loneliness. And while these muses often are responsible for giving birth to greatness and mass appeal, they can be downright detrimental if not periodically checked and balanced.  No one knows the real reason(s) why McQueen, a bright beacon in the fashion community, decided to end his life. Rampant speculations followed the days after his death; some say losing his longtime friend/confident Isabella Blow and the support of his mother who passed away just days after Blow is what drove his decision to book an earlier appointment to meet his maker.

We miss you, Mr. McQueen. Your brash ego, eccentric behavior, your dark interpretations of fashion. We miss the electric atmosphere of the unexpected expectation you created with each of your collections. We miss the way you created purely and passionately. We miss the effortless way you would marry opposing ideologies; luminous & obscure, structured & disheveled or confined & unrestricted. You weren’t just a fashion designer; you were a designer of hope and like the Sex Pistols who ushered in the punk movement, you knew exactly what the industry needed to wake it from its lofty snooze fest.

mcqueen5

The loss of McQueen has been tremendous and sad, leaving fashion with a gaping hole in its heart. But we are grateful for the years he lived, the lives he touched and the collections he designed. May his spirit of just the correct dose of controversy injected on the runway live on. May his legacy continue to thrive, and as Sarah Burton strives to maintain his original aesthetic, inspire another young man with big dreams of fashion design.

mcqueen1

mcqueen3

mcqueen2

Advertisements

And I didn’t even Climax…

Shock and awe isn’t a new tactic in the fashion world. In fact, shock and awe is the axis at which the planet of fashion revolves around. This is especially true concerning the rise and fall of a creative or an artistic director of any well-known establishment, house or label. In the spring of 2011, fashion headlines everywhere ran with the story of Christophe Decarnin parting ways, after only five years, with the luxurious house of Balmain. The aftermath of that colossal earthquake news was his replacement, Olivier Rousteing. A young, fresh faced twenty something year kid who spent a few years assisting Decarnin. A virtual unknown. And the universe buzzed. Would Rousteing triumphantly rise to the occasion or would he fail? Would he push the label farther than Decarnin or send it plummeting to its death? So many questions, doubts and fears. But in his short stint at Balmain, Rousteing has managed to surprisingly prove most of his critics wrong. He not only has kept the label afloat but assisted with its continued rise in popularity with the hot, young and rich crowd. And unlike another young designer*, suddenly thrust into a gigantic pair of shoes at Balenciaga, Rousteing found his footing instantly and silently, gained the necessary momentum needed to push Balmain into a dominating and influential position. His creative approach, a cautious mixture of preserving the house’s decadent aesthetic and Decarnin’s flamboyant exuberance was an instantaneous hit. And like Sarah Burton, Rousteing was unofficially crowned the Midas of fashion, turning everything he touched into gold. (Burton was named creative director at Alexander McQueen in May of 2010, after the designer’s tragic death)

Fast forward to Paris Fashion Week. On September 25, 2014 the fashion crowd and critics gathered, eagerly awaiting the golden boy’s latest sensation, his spring Pret-a-Porter 2015 collection. Heavily influenced by pop culture and the red carpet sirens he frequently dresses, Rousteing’s most recent work is…dismal and unoriginal. There was no brilliance. No boldness. No opulence. From the sleek bondage influenced pieces, the overexposed body parts, to the impeccable tailoring, the runway told a tale of an unexcitable story. It read boring, had a sort of rushed assembled-like quality and appeared as though he designed it for a lone individual more or less, not for the masses. He is quoted saying the influential muse behind his spring collection is pop starlet Rihanna and while there is no harm in having an inspirational figure as muse, perhaps Rousteing should have put more thought into using her as a creative point of origin rather than the finality as the birth of his collection. In the September issue of US Harper’s Bazaar, he said, “I think fashion is like sex…when you do the show, that’s the orgasm.” Well sir, if the Paris show was our infamous romp in the sack, I am one (of many) dissatisfied lover.

 *Next post, I’ll talk about Alexander Wang’s spring collection at Balenciaga!

 

 

For more of the collection, check out www.style.com!

     Balmain4

Balmain5

Balmain1

Balmain2

Bal

Balmain3